Zoë Veness
STILL POINT

Still Point is a selection of jewellery by Zoë Veness that reflects her interest in evocations of time through repetitive making processes and intricately detailed forms. Central to her work is a folding method with thin strips of paper that are interwoven onto steel cable and looped into neckpieces or combined with silver to create brooch designs. Her experimental making process incrementally evolves with slight adjustments to folding systems and colour combinations, each work gradually testing new ideas along reflective paths of enquiry. The notion of a still point alludes to the sense of coherence she seeks in her jewellery through harmonious synergies between the rhythmical patterns of the paper folds, the interplay of colour sequences, and the perpetual movement of the looped forms.

Zoë Veness is a contemporary jewellery artist and Senior Lecturer at UNSW Art & Design. Her work has been selected for numerous international and national exhibitions including the ITAMI International Jewellery Exhibition in Japan and Made Worn: Australian Contemporary Jewellery organised by the Australian Design Centre which toured nationally from 2020-2023. Solo exhibitions include The Stream of Time at Woollahra Gallery, New Terrain in an Old World at Craft + Design Canberra, and The Infinite Fold at JamFactory: Contemporary Craft and Design. She has received several grants and awards including an Australian Postgraduate Award for PhD research and the winning prize for the Contemporary Wearables Biennale Jewellery Award in 2023. She was artist-in-residence at the Edinburgh College of Art in Scotland in 2006 and at Bundanon on Dharawal-Dhurga Country in 2010. Her work is held in collections at the Musée des Arts Décoratifs, National Gallery of Australia, and Art Gallery of Australia.

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PROJECT SPACE
Claire McArdle
PLY II

Exhibition performances take place Sat 23rd March, 2pm & Sat 20 April, 2pm

Ply: to work steadily with a tool
to practice regularly
to repeatedly supply

Plier: a hand tool used to hold objects firmly
a person or thing that plies

From the Latin plicāre: bend/fold.

PLY examines the common jewellery technique of bending a piece of metal with pliers. The exaggerated scale lends significance to this simple act that is performed extensively by jewellers and metalsmiths throughout their making lives. This process is most often unobservable as it occurs in the seclusion of the studio. PLY allows inspection and encourages celebration of this elemental making action.

This will be the second iteration of PLY, with the first performance taking place in 2019. The pliers, neckpieces and boilersuit have all been remade using metals from the scrapyard and textiles from the second hand shop, including hand twined cords on each neckpiece. Over the course of the performance, each flat neckpiece will be bent by the pliers. Each bent neckpiece holds the recollection of the making action, the result of the interaction between maker, tool and material. PLY examines making through performance in a jewellery context.

Claire McArdle is a jewellery and object maker with an interest in tools, performance and the making process. Claire was recently included in Melbourne Now at the National Gallery of Victoria. She won the Itami Award at the 2019 ITAMI International Jewellery Exhibition at The Museum of Arts and Crafts in Itami, Japan, first prize at both Contemporary Wearables '13 in 2013 and the National Contemporary Jewellery Award in 2016 and received the Excellence Award at the Victorian Craft Awards in 2017.
In 2023 her work was collected by the National Gallery of Victoria and in 2018 by the Musée des Arts Décoratifs, Paris. She has held solo exhibitions in Australia, Estonia, Germany and Thailand. Her work has been exhibited in Thailand, Hong Kong, USA, UK, Germany, France, Estonia, Austria and The Netherlands. She has undertaken residencies in Australia, Mexico, Iceland and Estonia. She was the co-founder of Radiant Pavilion: Melbourne Contemporary Jewellery and Object Biennial. And she teaches in the Gold & Silversmithing department at RMIT University, Melbourne and recently completed her PhD at the same institution.